The C300 was commonly used side by side with Alexa and matched well in default mode but this takes it a stage further and reflects the reality that budgets are coming down and that this is becoming more popular than previously. Expert services to keep your equipment working perfectly. By continuously comparing their outputs during AF mode, phase-difference autofocus helps ensure non-blurred images and smooth focus transitions even when the talent and/or camera are moving. This category only includes cookies that ensures basic functionalities and security features of the website. "Even hand-holding and shooting action, cranking the slow motion up is incredibly valuable. Batteripakke BP-A30 (medfølger)/BP-A60 De nye batteripakker BP-A30 (3100 mAh) og BP-A60 (6200 mAh) på 14,4 V forsyner 4K EOS C300 Mark II med strøm. Anybody can jump from one camera to the other without having to constantly rewire their brain to move onto a different system. However, as broadcasters and commercial clients demand more 4K in the near future this will necessarily drive demand for the C300 MkII. Find out more about Canon Professional Services, including the benefits and how to join. It can now be recorded in 4 channel 16/24bit 48KHz LPCM. © Ben Sherlock, While the Canon EOS C500 Mark II offers frame rates up to 60p in 4K and 120p in 1080 HD, the Canon EOS C300 Mark III is faster, with 4K at 120p and 180fps shooting in HD. Canon Log 3 gives reduced noise in shadows and excellent grading flexibility, while Canon Log 2 provides up to 16+ stops of dynamic range. The Canon EOS C300 Mark III and the Canon EOS C500 Mark II are Cinema EOS stablemates offering the latest technology to give stunning visual results. The G7X Mark II supports NFC. Back to Product List. "It is a camera associated with operating at the highest levels in the industry, that delivers an image that sets it apart from the rest of the Canon line. In tegenstelling tot zijn voorganger, die over een 61-punts AF-systeem beschikte, biedt de nieuwe camera 191 afzonderlijk selecteerbare AF-punten, waarvan er 155 kruissensoren zijn, vergeleken met 41 kruissensoren in de Canon EOS-1D X Mark II. C300 Mark II boasts a CMOS sensor that combines both imaging and phase difference AF for class leading performance. Necessary cookies are absolutely essential for the website to function properly. For these scenes he opted for the extra dynamic range and high ISO performance offered by the Canon EOS C300 Mark III and its DGO sensor. The C300 and now C300 Mk 2 bring greater portability to be used as supplementary cameras on brushless gimbals or rigged inside vehicles etc, so this is a very useful additional function. The C300 was highly praised for using the universally compatible MXF data format onto CF cards. In addition, the ISO range now starts at a low 100 and goes to 102,400. 35mm E Mount, Sony α Mount, APS-C format DSLR Lenses, Biodegradable cable labels & bio-plastic tubing, VMI complimentary non-timed delivery/collection service, How to achieve the most from the Canon C500 Mk II, E-Mount Lenses – perfect for the Sony FX9, FS7, AS7 & FS5. Ben certainly wasn't disappointed by the cameras' performance on his survival and bushcraft project. The synchronicity that you get between the Canon EOS C300 Mark III and Canon EOS C500 Mark II means that you're never at risk of missing the moment.". Read our. The EOS C300 Mark II Digital Cinema Camera's re-designed imaging system includes dual DiG!C DV 5 image processors, which work in concert with the camera's advanced Super 35 CMOS sensor and XF-AVC codec to enable a wide variety of image quality and feature improvements. New game-changing sensor for the HDR era. LensRentals Canon EF 70-200mm F2.8 Mark III and Mark II teardown When Canon announced the EF 70-200mm F2.8L IS III USM earlier this summer, the company was pretty open about the fact that it was a minor upgrade to its predecessor , featuring tweaked coatings and a new finish, but the same optical-mechanical formula. Customer Service 800.221.5743 or 212.239.7765. Expert services to keep your equipment working perfectly, enhance its imaging performance or repair it. ", The Super 35mm sensor gives extra reach for longer lenses compared to the full-frame sensor of the Canon EOS C500 Mark II, offering a different perspective and depth of field for even more creative options. The huge dynamic range makes both cameras ready for HDR workflows. We think that it is and this short article explains why. Click here to get inspiring stories and exciting news from Canon Europe Pro, Pro Photography, Video Articles & Inspiration. Most factual broadcast TV is still acquired in 50Mbps MPEG2 and whilst this is a compatible format for the Mk II, it is still what the C300 does for way less money. Canon also has released the extremely capable compact and low cost Canon XC-10 recently which records to the same CFAST cards and records the same high data rate codecs as the C300 Mk II, so this pair will work really well together as A and B cameras. Our EOS range of DSLR cameras offers superb image quality, whatever your level of expertise. Log workflows provide the user with a higher dynamic range, more highlight and shadow retention, and more flexibility in grading. Audio is recorded uncompressed in 16-bit PCM format at 48 kHz for high fidelity sound. Canon explain why this autofocus is so good with the paragraph below. A brief article written by DP Clemens Majunke on how to achieve the most out of the Canon C500 II, Article introducing the native E-Mount lenses. This does not take away the fact though that the Mark 1 C300 was a fabulous camera which was excellently suited to Broadcast acquisition and what was good enough in 2015 really should be good enough in 2016, so we expect that the original C300 will have a place alongside the Mk II for some time yet. Canon's efficient Cinema RAW Light format offers all the benefits of RAW processing – maximum highlight and shadow detail – but generates much smaller files, which can be recorded to CFexpress cards. It is also working in 12 bit colour space too. Stylish and practical hand held, desktop, scientific and printing ranges. It’s not clear whether this will change in the future. Many shooters will be confused as to which offers the better value proposition. © Ben Sherlock, The key difference between the two cameras is that the Canon EOS C500 Mark II has a 5.9K full-frame sensor that offers up to 15+ stops of dynamic range in Canon Log 2. Canon EOS C300 Mark II Canon EOS C700 The device has a standard memory slot (such as an SD or micro SD card slot) that enables you to extend the built-in internal storage with affordable memory modules, or easily retrieve data, such as photographs, from the memory card. This DGO sensor is definitely a massive step up. 120 fps supported), frame recording, pre-recording, interval recording. Experience accuracy at any speed Shoot one frame per second for slow motion video or 120 at 2K/HD for fast moving objects, always with superb precision and clarity. The PL mount permits conventional film zoom and prime lenses to be used and B4 mount adapters available from VMI also permit the full choice of electronic HD zooms and Primes as well. At the beginning of 2012, Canon released the original C300. You've got that magic Canon colour science which just can't be beaten. Small body, big new sensor innovation – discover how Canon’s latest Super 35mm Cinema EOS camera shapes up…. Colour performance improved with new sensor and DIGIC DV 5 Image Processor – more on this later. A backlit display panel is great for low-light viewing. The Canon EOS C300 Mark III has a 4K Super 35mm DGO sensor offering 16+ stops of dynamic range. Canon 5D Mark II vs 5D Mark IV. However, the C300 Mk 2 working in 12 bit colour space can now achieve 2^12^3 colours = 69bn colours – this is very impressive indeed! "And deliver images that are completely unparalleled." Director of photography and documentary filmmaker Ben Sherlock has been working on a survival and bushcraft project, shooting on both a Canon EOS C300 Mark III and a Canon EOS C500 Mark II. "It's got all of the functionality, features and ergonomic genius that we associate with Canon's Cinema EOS cameras, and it is full-frame. Portable, all-in one PowerShot and IXUS cameras ranging from expert creative compacts to superzooms and easy point and shoot options. Like our articles and website? Read on. The EOS C300 Mark III supports both Canon Log 2 and Canon Log 3 Gamma. As per usual, the removable audio module provides two XLR audio inputs with +48V phantom power. The C300 Mark II features a better sensor (compared to previous models) with wider dynamic range, 4K XF AVC Codec, which is an H.264 … Find out where the G7X Mark III wins! The audio module also holds the LCD monitor, which can be repositioned in a variety of places to suit the operator. We also use third-party cookies that help us analyze and understand how you use this website. Beyond the advantages of file-based recording, the camera offers a number of creative possibilities in post-production including Slow & Fast motion. An Edge Monitor Focus Assist provides both a waveform representing the overall degree of focus and a red waveform that represents focus in three specific areas displayed on the camera’s 4″ LCD monitor. In post-production, Canon Log is designed to reproduce the entire tonal range that the CMOS image sensor is capable of. (You can unsubscribe anytime). Canon EOS 5D Mark IV vs Canon EOS 5D Mark III Canon EOS 5D Mark IV vs Canon EOS 6D Mark II Let's read on the following sections in order to better understand in detail how Canon 6D MII and Canon 5D MIII compares and hopefully end up with enough arguments to decide which one is better for you. Sort: Clear All. ", "Canon cameras have always been a part of my life, and they've been pretty formative to the way that I've shot," says Ben. The body has a modular design that can either be stripped down completely or be built up using the included handle, 4″ rotating LCD unit with full controls, grip, and thumb rest – useful if being used in a lightweight Gimbal configuration. Up to that point, the camera has slightly less dynamic range, and from 800 upwards the dynamic range of the camera remains constant. But opting out of some of these cookies may have an effect on your browsing experience. Yes, I would like to receive emails from VMI. DoP Patrick Smith on why the affordable full-frame EOS C500 Mark II has made the cut. The new feature places a high priority on maintaining sharp focus while providing a natural, smooth autofocus movement with select Canon EF lenses – including newer-generation STM lenses – which offer even smoother and quieter operation”. The Canon EOS C300 Mark III is the first Cinema EOS System camera to feature Canon's Dual-Gain Output (DGO) sensor, which means it can capture images with wider dynamic range and lower noise, making it ideal for HDR output. Both are DSLR (Digital Single Lens Reflex) cameras that are equipped with a full frame sensor. For sharp focus, the EOS C300 camera has two peaking modes and a magnified focus assist function. Explore the work and wisdom of the great photojournalist in this selection of insightful articles. "For me, colour and the latitude is more important. The reason is simple, it … We use cookies to provide you with the best possible experience in your interactions with Canon and on our website – find out more about our use of Cookies and change your cookie settings here. Big on quality, small on size. The history of Canon's L-series lenses, why top photographers rely on the range, and how the Canon EF 85mm f/1.4L IS USM lens was made. The EOS C300 Mark III supports both Canon Log 2 and Canon Log 3 Gamma. The interchangeable design means that longer cables can also be fitted. Here is a list of Netflix approved UHD cameras as of November 2020. "I knew we weren't going to have to worry about noise, because any condition I put these cameras in, they always came out with the goods – even when shooting in the middle of the night," he says. 70-200/2.8 L IS USM Mark II vs. Mark III Aug 3, 2018 So, what do people think about Canon pulling another rabbit out of the hat by improving the Mark III over the Mark II in the way that the f/4 L IS USM Mark II improved over its predecessor? Gerard Botha/Barry Bassett,VMI October 2015. Out of these cookies, the cookies that are categorized as necessary are stored on your browser as they are essential for the working of basic functionalities of the website. Comparing Canon C200 vs Canon C300 Mark II vs Canon C100 . EF and EF-S lenses offering a blend of excellent image quality, flexibility and speed. There are two different length cables available – the standard 50cm and a longer optional 100cm cable. Audio is also improved on the original C300. The Canon C300 Mk II feels very solid and is cased in a sturdy Magnesium chassis. The modular body is expandable to suit all of your filming and the accessories are the same as the C500 Mark II for greater flexibility and compatibility. As a consequence, it will give much more grading options and more accurate chroma key etc. The Canon C300 Mk II feels very solid and is cased in a sturdy Magnesium chassis. A new feature is ‘Looks’ which is a baked-in emulator of Log settings of other popular cameras such as ARRI Alexa, Sony F55, Varicam and what was loosely described as ‘documentary’. Large format cine-style lenses with superb build and features to meet film production requirements. Of course, the incredible 5.9K resolution is the headline figure, but Ben is blown away by the camera's other charms. The C300 Mk 2 is dust-proof and splash-proof design includes sealing gaskets around the edges of all access covers, dials fitted with O-rings on the axis of rotation, and button key-tops sealed with rubber. Light weight and versatile wherever you go. The F5 also has the advantage of a bolt on external recorder, which ups the cameras specs, particularly the slow motion, and you can now upgrade the camera to 4k, at a cost (or hack). In our view, with its 120 fps shooting capability and superb 4K and great colour reproduction quality, reliability and an easily gradable image with the winning formula of a compact camera body and easy post, we think that the Canon C300 Mk II will be a winner. There is a bright 1.55 Megapixel electronic viewfinder, and the camera comes bundled with a removable combination 4″, 1.23 Megapixel monitor and control panel. Meer AF-punten. Il dispose d'une entrée 4 canaux, dont une prise micro, un micro mono interne et deux connecteurs XLR, ce qui permet de sélectionner et de mixer … De Canon EOS-1D X Mark III maakt een sprong voorwaarts in de prestaties van de automatische scherpstelling. Canon Log2 replaces the original Canon Log and is in essence a flatter version that allows for more information to be retained in highlights and lowlights. Firmware Version incorporates the following Read more… Share on Facebook If you want RAW output then the C300 Mk II can do that as well. It can output 4K 4:4:4 to an external recorder like the Convergent Design Odyssey 7Q or Atomos Shogun but the Canon SLog2 is so good that we think that few will want to use it. This feature works well and is practical for location shooting, as it doesn’t hunt. It proved extremely popular for the broadcast and corporate markets and independent filmmakers alike, and propelled the Super 35 format into these segments. When shooting very high contrast and low-light scenes, Ben found himself reaching for the Canon EOS C300 Mark III for the extra dynamic range and stunning high ISO performance that was possible thanks to that DGO sensor. I think the C500 Mark II, C300 Mark III and C200 Mark II will be compatible with an RF-mount conversion that was rumored earlier. The science in there has enabled us to push the latitude so much that it completely erases all the noise in the shadows. Live Chat. When you take the best lens, you want to put it on a camera that is going to utilise every single inch of that sensor, and that's what the EOS C500 Mark II does.". L'EOS C300 Mark II prend en charge l'audio LPCM 24 bits/48 kHz pour une qualité de son supérieure à celle d'un CD. Click Edit. In post-production, Canon Log is designed to reproduce the entire tonal range that the CMOS image sensor is capable of. Premium 4K optical quality lenses for high-end broadcasting and unrivalled performance. A tally lamp is clearly visible from the side or behind the camera. In spite of this, VMI is providing the C300Mk II with the full Broadcast and Cine plate and bracket made by ARRI as shown in the images. You can even simultaneously record 4K to dual internal CFast 2 cards, 2K/FHD proxy files to SD card and output 4K RAW to external devices. Amazingly, this is not mentioned in the Canon specs. Stangklemme RD-1 Canon RD-1-stangklemmen kan monteres på EOS C300 Mark II, så den, der betjener kameraet, kan benytte en 15 mm stang i forbindelse med andre slags optagelser. The C300 Mk II has gone a stage further and with similarly universal compatibility, the C300Mk II records 4K images to the XF AVC Codec, which is an H.264 format in the same widely-supported MXF wrapper – only now it is 4K. Get the lowdown on what’s happening in professional photography and filmmaking. "They're cameras that I know that I've been able to rely on for the whole of my career. It is one of those WOW moments that you have to see on a new 4K monitor with HDR to really appreciate what this means. The C300 Mark III is a super 35 beast with a lot of new tech and capabilities. (max. The resource for technology and techniques. Photo, document and large format for business and home. Amazingly, this is not mentioned in the Canon specs. Canon Log 2 and 3. This comes into a very simple acronym known as High Dynamic Range (HDR). Please remove an item or clear the [category] as there is an 8 product limit. The 2K/HD high speed recording at 120 or 100fps (depending on the PAL/NTSC setting) is perhaps the most limiting feature of the C300 Mk II compared to its nearest rivals. Sales & Expert advice 800.606.6969 or 212.444.6615. Canon EOS C300 Mark II. This website uses cookies to improve your experience while you navigate through the website. The minijack remains from the original C300 but now its inputs can be used in addition to the XLR connections to provide the 4 channel audio. Download software for your Canon product. Small ridges between the buttons help prevent activating functions by mistake. The Canon EOS C500 Mark II can be used in Super 35mm crop mode if needed. Both cameras offer a wide range of codecs in high bitrates and a choice of colour spaces, as well as RAW shooting for the best quality results and maximum flexibility in post-processing. The Canon EOS C300 Mark III and the Canon EOS C500 Mark II are Cinema EOS stablemates offering the latest technology to give stunning visual results. The resolution means if you do want to crunch in on the frame a little bit in post, then you have that flexibility. The idea is that this camera will record images which will match your master camera. He recently used both camera bodies on a survival and bushcraft project, shooting in woodland in high contrast and low-light conditions. Native sensitivity is ISO 800 when using Canon Log 2. Print Email. Take complete creative control of your images with PIXMA and imagePROGRAF PRO professional photo printers. The Canon C300 Mk II is a Super-35, full 4K camcorder with interchangeable lens mounts to offer compatibility with EF, PL and B4 lenses (Workshop fit  only). Canon EOS C300 Mark III To make the story short, the Canon EOS C300 Mark III Digital Cinema Camera features a Super 35mm Dual Gain Output sensor with up to 16 stops of high … No items to compare. 2K and HD imagery can be recorded at RGB 444 in 10-bit at 210Mbps, or even 12-bit at 225Mbps to CFast 2.0 using the same codec. The skin tones and the colours are absolutely mind-blowing.". So the question is whether existing C300 users will trade up to the new camera? Now that the Canon 5D Mark III is almost out (see Canon 5D Mark III Specifications), I am sure many photographers will be interested in seeing feature differences between the now obsolete Canon 5D Mark II and the new 5D Mark III.In this Canon 5D Mark III vs Canon 5D Mark II comparison, I will write about the specifications of both cameras and talk about their differences. With outstanding low-light performance and a maximum ISO setting of ISO102400, the Canon EOS C300 Mark III enables … Shoot and print on the go with a 2-in-1 pocket-sized camera and printer. They've never let me down. Join us from 14:00 CEST on 24 September 2020 for the introduction of a new cinema camera and more. To maintain proper highlight exposure, it offers a zebra bar feature as well. Here’s where you’ll find a wealth of important information about upcoming industry events. The already great low light performance of the C300 is said to be improved. This combination works so well with the ARRI Amira and C300, so of course we would adopt this approach, as it includes conventional ARRI 15mm bars support and handle system with copious mounting points for peripherals and a very comfortable shoulder pad. Additionally, a 3.5mm headphone terminal with 16 volume settings offers accurate audio monitoring. A logical layout of buttons and dials make operation simple. These cookies will be stored in your browser only with your consent. This is a very useful function now that the capabilities of the C300 Mk 2 have been improved. Someone described HDR as the most profound development in TV since the introduction of colour and whilst we are not prone to exaggeration, we now agree with this statement, as it really is stunning! It also overlaps with the earlier EOS C50 rumour which suggested a C200 sensor, but maybe that's how the C200 sensor lives on. Professional pan, tilt and zoom remote control solutions for broadcast and for still photography, 31-inch 4K HDR professional reference display. Correct Oct 15. "Ultimately, the two things that matter the most to me, is that when I take these cameras into a blisteringly hot desert or sub-zero conditions, I need to know that camera is going to be reliable and get the shot," says Ben. The Canon EOS C300 Mark III shares the same modular design as the Canon EOS C500 Mark II, which means switching between the two bodies is quick and easy. Both cameras also offer support for custom Look-Up Tables to convert a Log signal into a different colour space for more accurate monitoring on set, or to apply a certain look during colour grading or monitoring. Canon are sensitive to this and make the engagement of the second wheel of enhanced NDSs a user accessible function – very sensible but also very useful when the operator is aware of this. Business, creative, kit and careers - hear from the world's leading photographers and filmmakers in Shutter Stories. "I get asked to use the EOS C500 Mark II for various reasons," says Ben. We use this cookies to provide our services and to make the website work as well as possible. This means that you have a choice compatibility not only with Canon’s existing broad range of DSLR lenses and EF-mount CN-E cinema prime and zoom lenses but also (with suitable lens adapters), also Nikon ZF and other DSLR lenses too. In the world that I work in, a few seconds can make the difference between capturing the moment and missing it. The LCD is built into the removable audio module and the integral high resolution (0.46″), 1.17 Megapixel colour EVF has a 60 degree tilt adjustment too. Any cookies that may not be particularly necessary for the website to function and is used specifically to collect user personal data via analytics, ads, other embedded contents are termed as non-necessary cookies. Here you’ll find answers to a wide range of frequently asked questions about Canon Professional Services. The EOS C300 Mark II is purpose built to be a cinema camera, so as nice as the EOS-1DX Mark II is, it is not a substitute for a dyed-in-the-wool cine camera. Both the Canon C300 Mark III and Canon C500 Mark II were launched relatively close to each other. Keep up to date on all latest product information. "I am mesmerised by how clear the image looks, how organic it all feels, how noise-free everything is. This requires some explanation, as the colour Gamut (range of colours) available has also been widened to include the enhanced range of this new colour standard and as you can see from the range of colours on the chart on the right, REC2020 has a much greater range than we are used to seeing in REC709. These include 15 stops of dynamic range, Canon Log 2 recording, Dual Pixel CMOS AF, simultaneous 4K and HD proxy … Download a user manual for your Canon product. The Canon EOS 5D Mark II and the Canon EOS 5D Mark IV are two professional cameras that were officially introduced, respectively, in September 2008 and August 2016. The handle is also much more solid than on the Mark I, as Canon clearly realise that it will be used with film lenses which are … Do you want to clear the entire selection? Extensive range with quality and brightness. The C300 captured in 8 bit colour which gave a choice of  2^8^3 colours = circa 16m colours and this was perfectly good enough for Broadcast programmes. All air is directed through a discrete pathway that keeps dust particles away from sensitive components. "If I need 120fps for slow motion in 4K, then the Canon EOS C300 Mark III is the camera that I go to," says Ben. For more flexibility to adjust your image during postproduction, the camera also offers the new version of Canon’s Log gamma mode, which results in excellent tonal reproduction in the highlight and lowlight regions of an image, and an expanded dynamic range. Its larger sensor means it can work perfectly with full anamorphic lenses, which it processes internally without the need for a separate monitor – which is what you would need to shoot full anamorphic on the Canon EOS C300 Mark III. The improvement in image quality will undoubtedly make the C300 Mk II a desirable camera for both large and small productions and the LOOKS function will ensure that it can be considered as a B or C cam alongside ARRI Alexa, Amira or Sony F55 with ease and it will ride on the reputation of the C300 as a compact, easy to use camera which performs faultlessly in the field and presents no problems in post. The faster frame rates, meanwhile, can add another creative string to a filmmaker's bow. It is mandatory to procure user consent prior to running these cookies on your website. "It speeds things up. The Canon EOS C300 Mark III's new CMOS sensor offers Dual Gain Output (DGO) for even better performance at high ISO settings. The camera also has a removable handgrip with a control dial and function buttons for handheld shooting in DSLR style, or remove it and use the supplied thumb rest for completely stripped-down shooting. You also have to mess about with lens adapters too with these cameras which you don’t with the C300 Mk II. Still, it is there if you should want it. Wide angle for small rooms and education. What does it take to shoot the biggest tournament in rugby? "The fact that the batteries and memory cards are the same – and the design of the cameras is the same – is huge. "The Canon EOS C500 Mark II is clearly geared towards the top-end of filmmaking," says Ben. Find out what Canon is doing at the international photojournalism festival. The camcorder features two 3G-SDI outputs, timecode I/O, and genlock input BNCs. To put this into English. It also supports XF-AVC, which compresses video data and records it … The camera also has an internal mic in the body now, like the C100II. The DIGIC DV 5 image processor improves colour performance considerably compared to the Mark 1. Red laser pointers with presentation functions. Nick Millen of Canon confirmed that this function is only available in EF mount and when using auto focus lenses of which the Cine servo zooms are not. Functional and stylish home photo printers and all-in-ones delivering quality results. Industry-leading codecs, built-in image stabilisation supporting 5-axis camera shake correction and the advanced Dual Pixel CMOS AF are further commonalities, while each camera has its own distinct sensor technology – a 4K Super 35mm DGO sensor in the Canon EOS C300 Mark III and a 5.9K full-frame sensor in the Canon EOS C500 Mark II. Here you'll find profiles of the game-changing photographers and filmmakers on our Ambassador programme. Sign up now to receive monthly notification of articles, case studies, courses & workshops and new products. Full frame mirrorless RF lenses with unique capabilities for EOS R. Portable, lightweight lenses designed exclusively for EOS M cameras. Scientist and documentary filmmaker Roberto Palozzi braved snowstorms and freezing temperatures to film cod fishing in Norway's Lofoten Islands. The C300 Mark III supports Cinema Raw Light and can record RAW data inside the camera body without using an external recorder. Documentary filmmaker Ben Sherlock explores what the full-frame and Super 35mm Cinema EOS stablemates can offer in the field. Another USP of the original C300 was that it was manufactured in a choice of either EF or PL configurations but the new Canon C300 Mk goes one better by making the lens mount interchangeable (VMI Workshop service only). The brand new battery model BP-30 will deliver circa 2.5 hours of run time in the field and we are informed from a CLM cinematographer that you can trust the battery info for remaining run time in the viewfinder. With the low-light sensitivity of the C300 Mark II, I appreciate how much less heft it has over the L II f/2.8, so if you upgrade, that might be an option to … "There's something special about the image that you just don't get with anything else," Ben adds. Here he shares his experiences with the two cinema cameras and explains how they match up in the field. This should make it very usable when handholding the camera without a support rig. With the Canon colour science, it is the ultimate cinematic package." In other words, does the extra $5,000 for the C500 Mark II translate into real-world advantages for professionals? Experience the ultimate in image quality. A 3.5mm microphone terminal is also built in to the camera. Your camera runs cool, quiet, and clean and should no longer suffer from dirt on the sensor – a  scourge of the C300 Mk I! More ways to shop: visit the Canon Store or find a reseller. In-depth articles from leaders in their field. It is worth mentioning though that to enjoy the full benefit of the FS7 capabilities, that you really need the Sony XDCA-FS7 4:2:2 Prores extender too for the FS-7 which adds cost, size and weight too. A lot of C300 Mark II users jumped to the C500 Mark III without knowing a C300 Mark III would follow soon after. © Ben Sherlock, Since the release of the Canon EOS C300 Mark III, Ben has had the opportunity to take both cameras out on location, shooting similar scenes on each and drawing direct comparisons about their respective strengths. Now there are two ND filter wheels with a total of six ND settings (OFF, 2, 4, 6, 8 & 10 stops). We never share our email data and commit to never sending out more than one email per month. In short, this is a stunning camera which in our view is considerably better than the original C300 and closer to the premium cinema cameras than the Mark I. Canon USA has released new firmware for the Canon EOS C300 Mark II in both PL and EF mount. A video still shot on the Canon EOS C500 Mark II. Then you take it all and you put it into the extraordinarily well-built housing that has a 5.9K sensor on it that is also full-frame." The built-in neutral density (ND) filters of the original C300 were a benefit. How Canon's latest Cinema EOS camera builds on the heritage of its ground-breaking precursors, the EOS C300 and EOS C300 Mark II. "You've got 15+ stops of latitude. The camera has a Waveform Monitor (WFM) function that shows the overall brightness of a scene, with RGB Parade Display to view red, green, and blue brightness or Spot Display to isolate the luminance distribution of a chosen area. Discover how Canon's Cinema EOS, DSLR and full-frame mirrorless cameras are enabling single-cam videographers to focus on their vision. Register your kit to access free expert advice, equipment servicing, inspirational events and exclusive special offers with Canon Professional Services. The second filter wheel is engaged via a custom setting and adds stronger ND values. It was surprising that the C300 Mk 2 was introduced with a continuous AF (Autofocus) function for all autofocus lenses, using Dual Pixel CMOS AF technology. The Canon C300 has had a long and illustrious career as the camera of choice for mainstream UK TV for a few years and now with the release of the Canon C300 Mk II (C300 Mk 2), we investigate whether the fuss is at all justified. It has a contrast ratio of 5000:1 vs 270:1 on the original C300. With large sensors for incredible low-light performance as well as a beautifully shallow depth of field, easy HDR workflows, a wide dynamic range, and internal and external RAW video capture, they make obvious choices for high-level productions across broadcast, commercial and documentary. You agree to our use of cookies on your device by continuing to use our website or by clicking I Accept. Since use of the second wheel will necessarily increase the optical path, the focus markings of lenses will no longer be accurate. Additionally, video output from the camera can be … CPS members can find the right contact for each country and get through to the experts who can help you. Specialising in documentaries with a cinematic and adventurous edge, Ben has filmed in more than 70 countries, including extreme environments and conflict zones, and worked on TV programmes for BBC Studios and National Geographic. Add at least two items to compare. Log workflows provide the user with higher dynamic range, more highlight and shadow retention as well as more flexibility in grading. With Image Stabilizer for nature, travel and sport. Enjoy high quality performance, low cost prints and ultimate convenience with the PIXMA G series of refillable ink tank printers. For even faster turnaround, Canon's Wide DR gives extended dynamic range for use right out of camera. ", The survival and buschcraft project Ben has been working on involved shooting high-contrast woodland scenes in bright sunshine… © Ben Sherlock, …and inside shelters lit only by firelight. 1. The C300 Mk II is based around a completely newly developed sensor which captures in a Super 35 format (24.4 x 13.5mm) and features 4096 x 2160 resolution to deliver Cine 4K images, as well as supporting Ultra HD (3840 x 2160), and Full HD (1920 x 1080). High quality spreads with lay-flat technology. Inspirational stories featuring the world's leading photographers and filmmakers. The EOS C300 Mark III is flexible and lightweight. The C300 Mark II is Canon’s update to its first-generation cinema camera, the Canon C300. Using both cameras together has also proved seamless in terms of workflow. Looking for a Canon G7X Mark II vs Canon G7X Mark III comparison? Download firmware for your Canon product. It offers fully automatic operation including an effective autofocus (subject to being used with suitable lenses) and is capable of internal capture of stunning 4K/Full HD video with a High Dynamic Range (HDR), external RAW output and Canon Log2 and DCI-P3 colour space. If it's not substantially improved over the Mark 1, the Mark 1 will be super cheap. Canon have improved this even further with the C300 Mk 2. "When you point these cameras at a person or a natural environment, they just come alive – more beautiful than when I'm looking at it with my naked eye. Видеограф-документалист Бен Шерлок проверил в деле возможности EOS C500 Mark II с полнокадровым датчиком изображения и другой модели из линейки Cinema EOS — камеры EOS C300 Mark III с датчиком Super-35. What does it take to get a camera approved by Netflix? / Learn & Help Canon Log gamma delivers neutral image quality and maximum dynamic range for a softer, more filmic look. Use Canon consumables to ensure optimum performance and superb quality with every print. Superior images for installation environments. The beauty of the C300 was its compactness and portability which is retained in the Mk II and whilst the C300 Mk 2 is a little bit beefier, it is still compact and easily handheld at just over 1.4kg (3 lb). For faster workflow, both cameras also record internally in 10-bit 4:2:2 XF-AVC, supporting all Long GOP and ALL-I formats, at data rates up to a huge 810Mbps. The world's largest exhibition for AV and systems integration professionals. Project vivid images in stunning 4K resolution. Blog I have the 70-200 f/4 L which has OIS and is a terrific lens. Yesterday, Canon unveiled another cinema camera that goes between its great C300 line and the latest C500 Mark II flagship. The Mk II also features a built-in silent cooling system with a heat-dissipating duct in the centre of the body, a graphite sheet that conducts sensor heat towards the heat sink, three ventilation holes, and a cooling fan that pulls hot air out through an exhaust opening. Découvrez le Canon EOS C300 Mark III, doté d'un capteur Canon DGO 4K Super 35 mm, d'un mode ralenti 4K 120P, d'une plage dynamique élevée et d'un autofocus CMOS Dual Pixel. The Vectorscope (VS) display shows real-time hue and saturation levels. ... Canon EOS 5D Mark II Canon EF 50mm F1.8 II +5 more. His first-hand experiences have helped him to identify which camera is best suited to certain situations, and also just how well they work together. Près de cinq ans après la C300 Mark II, Canon propose une mise à jour de sa caméra "abordable" pour les professionnels du cinéma. The Canon C300 mark ii is purchased as an EOS mount, if you want PL you need to get it attached by Canon. That reach gives it the edge shooting wildlife and sport, or for more fast-paced run-and-gun work where a greater depth of field is needed. The Sony FX9 and Canon C500 Mark II full frame cinema cameras. Director of photography and long-time Canon user Ben Sherlock has worked with both cameras since their release, gaining a deep understanding of their shooting strengths. And when I have to shoot anamorphic, which is becoming more commonplace, I can take full advantage. The old C200 won't be. These cookies do not store any personal information. However, LOTS of people are comfortable using C300s and for these, the C300 Mk II will feel very comfortable indeed for them and as it is natively EF or PL, there will be no messing about with lens adapters like on the FS-7 or F5, since EF glass has become much more accepted in the Broadcast world. Using Canon supplied IDTs, images captured on the EOS C300 Mark III can be imported directly into the ACES compatible systems. Get productive with a range of small office printers that are your ideal companions. The Mk II is a bit larger and heavier (though not much enough to worry about) but is much more expensive than the original and this is reflected in the rental price. Both XLR inputs, as well as the mic terminal have the option for automatic, as well as full manual gain control (-Infinity to +18dB). You also have the option to opt-out of these cookies. This is a very welcome feature. / Cameras. EOS M and EOS R Full Frame mirrorless ranges deliver the power of DSLR in the body of a compact camera. But let’s get back to the C300 Mark III, fast forward 9 years to the presence – first off, the Canon C300 Mark III feels very much alike the full-frame C500 Mark II (watch our first hands-on here and read our lab test looking at the dynamic range and rolling shutter of that camera here). The EOS C300 Mark III supports ACES 1.0 of the Academy Colour Encoding System. The C300 Mk II also has competition from Sony with the Sony FS7 and Sony F5 which are now well established. A 4K image can be recorded at an impressive 410Mbps in 10-bit 4:2:2 at up to 29.97 frames per second (fps) internally to CFast 2.0 cards using the new XF-AVC Intra codec. Canon EOS C300 Mark II The device has a standard memory slot (such as an SD or micro SD card slot) that enables you to extend the built-in internal storage with affordable memory modules, or easily retrieve data, such as photographs, from the memory card. Contact Us. © Ben Sherlock, Both cameras also support Canon's Cinema RAW Light recording format, which has all the advantages of RAW, but is smaller, faster and more accessible. This should allow for easy rigging even with very big lenses. We just know that it seems to work. A new AF Lock setting also lets you change the image framing while holding the desired focus. A lock switch turns off all controls except the recording button and function buttons. Our mobile phones and cameras have been able to do this for years but the new REC2020 standard which is coming will allow you at last to see this. The handle is also much more solid than on the Mark I, as Canon clearly realise that it will be used with film lenses which are larger and heavier than equivalent DSLR lenses. Canon’s WideDR, as found on the C100 mkII, also makes an appearance on the camera – great for shooters who want an image that retains some highlight and shadow detail, while still being usable with minimal grading. We saw images on 4K grading monitors at IBC which showed highlights literally popping out of the screen, so dramatic was the dynamic range on the screen and the C300 Mk 2 is capable of shooting this massive range of quoted 15 stops of lattitude. "The synchronicity between these two cameras on location is game-changing," he says. “Dual Pixel CMOS AF technology features a CMOS sensor that consists of an array of pixels that each feature two separate photodiodes.
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